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Nov. 10th, 2009 @ 04:27 pm Stump the Chump...

I have a job interview next week. The head hunter says they are going to quiz me on C++ basics. He says that I should study up because it is all likely stuff that I've forgotten the names of or never used and would only know if I just graduated from some school that teaches C++.

I find it hard to get my head around this. I cannot imagine being stymied by C++ basics. But, lest I rest on imagined laurels, I'll browse through some books. And...

I challenge you to stump me.

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[info]patrickwonders
Nov. 10th, 2009 @ 05:49 pm half a lifetime?
posted by Neil
The editor at CBS Sunday Morning asked if I had any photos of my son Mike back at the period when I first had the idea for The Graveyard Book - late 1985. I looked. We really didn't have any. I wandered next door and asked Mary (his mum, my former wife and for these last five years my friend and next-door neighbour) if she had any photos from back then. "No," she said. Then, "Do you mean those transparencies? I have them in an envelope somewhere." She vanished and came back with a large manila envelope from a long time ago. "Here."

Half a lifetime ago -- literally -- I was nearly 25, and working for magazines. Henry Fikret, who photographed a lot of the interviews I did, volunteered to take some photos of me and my family, and he did.A week later the envelope arrived, and I realised that everything he shot was on colour transparencies -- like huge slides -- and I was never sure what do with them, other than being fairly sure I couldn't take them down to Boots the Chemist and have prints knocked out. So they stayed in their envelope, and they kept their secrets, and were forgotten.

Yesterday I had the transparencies scanned, and finally got to see lots of pictures I had never actually seen before of Holly as a baby, Mike at the time that I would have watched him riding his tricycle around the graveyard, and me... at exactly half my age: A young journalist who had sold a very small handful of short stories and two non-fiction books, with dreams of writing fiction and comics. At the time I was dressing in grey, but was getting tired of the way that you would buy something grey and take it home and discover that it was a blueish grey or a brownish grey, and wondering if I'd have the same problem if I just started to dress in black.

And half a lifetime on, it seemed like it might be good to put one up here. I checked, and Mary didn't mind. What odd clothes we wore back then. What big glasses. And look, my hair is practically normal.





So long ago, and it went like the blink of an eye.

...

Birthday wishes are flooding in from around the globe. I wish I could reply to everyone personally, but it would take the next 365 days... so thank you. Thank you all.

And a particular thank you to Garrison Keillor, who announced my birthday on NPR and who also told me that on my thirteenth birthday they burned Slaughterhouse 5, and that on my ninth birthday Sesame Street was born. The Writers Almanac is a marvellous thing.

...

In January I will be part of a free concert for all ages on January 16, 2010, at 7pm, in the World Financial Center Winter Garden, New York. I'll be the narrator for the performance of Peter and the Wolf, performed by the http://www.knickerbocker-orchestra.org (whose website you should visit to get details).

Kissing is about spreading germs (and this is a good thing), a scientist says.

Alan Moore is leaping aboard the Underground magazine bandwagon. Following the success of IT and OZ, Alan's Dodgem Logic is coming out. There's a great interview with Alan at http://www.mustardweb.org/dodgemlogic/

(And enormous congratulations to Alan, who is now a grandfather, and to Leah and John, who are now parents, and Edward Alec Moore-Reppion, who is now, um, born. A Scorpio, like his grandfather and his whatever-exactly-I am, sort of honorary great-uncle or something. Not that we Scorpios believe in that sort of thing, of course.)

Again, thank you all for the birthday wishes...

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[info]officialgaiman
Nov. 9th, 2009 @ 06:31 pm For those who read this blog for the articles
posted by Neil
(Serena Altschul and some author in July, sitting on the trampoline after two days of interviews. None of which, oddly enough, were done on the trampoline.)


Mr. Neil,

I DVR'd yesterday's installment of Sunday Morning and after zipping through it back and forth multiple times cannot seem to find you, though the description indicated the correct episode. Was it bumped to next week? Have you been sucked into an alternate Neil-less universe?

A concerned reader,
Mary


I'm afraid it was bumped by the Fort Hood Massacre.

I checked: The profile CBS did of me is apparently still going out, probably some time in December, although no-one seems certain when. I was told that we could help ensure that it is broadcast (and possibly make it come out sooner than December) if CBS think people would actually like to see it. Which means that if you do want to see it, you can help the process along if you write or email CBS and (politely) tell them so:

ADDRESS:
CBS News Sunday Morning
Box O (for Osgood)
524 West 57th St.
New York, NY 10019

E-MAIL: sundays@cbsnews.com

...

My friend Steve Brust (a fine and brilliant novelist) wrote to Miss Manners about his financial issues, and what having a Donate button on a website means. She replied to him here. There's a fascinating conversation going on about it at his website that I initially missed because I was in China... Most people disagree with Miss Manners. Even I disagree with Miss Manners, and I don't have a Donate button, or use the Amazon links to generate revenue, or have advertising or anything. (That's because Harper Collins set up this website, and they pay for our bandwidth and such. If they stopped, I'd have to think about ways to make it pay for itself.)

...

Stephen King's UNDER THE DOME was one of my favourite books of the year so far. (R. Crumb's retelling of the Book of Genesis is my very favourite book of the year.) So I was pleased to be sent this link to a really wonderful Stephen King poem:


(It's published by Playboy, which means that for some of you the site may be blocked.)

There's also a Stephen King story in this week's New Yorker. http://www.newyorker.com/fiction/features/2009/11/09/091109fi_fiction_king
(Needless to say, I only read the New Yorker for the articles.)
...




Dear Neil Gaiman, I ask for half-a-moment of your time (I would not presume to ask for more). This Spring 2010 I am teaching a Topics in Literature class on YOU at Winona State University (Eng 225: Neil Gaiman). Easy enough to select representative novel (American Gods), short stories (Fragile Things), children and YA (Graveyard Book), but here's the rub: I will likely only assign one Sandman graphic novel to students. I have been debating which is most representative, most worthy of inclusion, most amenable to class discussion and student scholarship. Then I thought I'd ask you. I know you suggest above that, for questions of this sort, we consider you a dead author, but I know you're not. When I came to a similar impasse about which of Ursula Le Guin's works to include in another class, she actually replied and offered her input. I extend the same offer to you: which of the Sandman volumes would you like to see on the syllabus?
Thank you for your time,
Nicholas Ozment, English Instructor
WSU


It's a hard one. I think if I were teaching I'd either go for Season of Mists or Fables and Reflections, because both of them have stuff to teach -- those nice chewy bits that people can like or dislike, argue with or discuss. I know a lot of teachers like to teach Dream Country because a) Midsummer Night's Dream won awards, and b) it's short and c) it has a script in the back. Your call. And good luck.

...

I mentioned recently that there were some beautiful new Polish and Russian book covers for my books that I'd seen at signings, which got me thinking. The International Cover gallery on this website is incredibly out of date.

It's at http://www.neilgaiman.com/p/Neil's_Work/International_Covers.

And though I get a lot of foreign editions in, and will at some point head down to the basement and rummage around and scan some (this week's mail brought the two-volume Japanese edition of Anansi Boys, on the cover of which Fat Charlie is not only Very White, but also Very Thin, and the complex Chinese - ie. Taiwan and Hong Kong - edition of The Graveyard Book) I thought that blog readers, being, as you are, all over the world, might be a better resource for knowing where to look for foreign covers.

So if you have, and want to scan in or link to foreign covers we do not have posted, or are a foreign publisher and would like your books up, there is now a submission page: http://www.neilgaiman.com/extras/covers/ which lets you upload them to the webgoblin, who will put them in the gallery (and on the pages for the books in question). And perhaps we should have them arranged by country as well -- some countries, like the French and the Russians and the Poles, have had so many different covers over the years.

(Also, Absolute Death was published this week. It is amazingly beautiful. Yes, I think they overpriced it too and no, pricing decisions at DC Comics are nothing to do with me. And the audio book of Good Omens will be released tomorrow. It's read by Martin Jarvis. People have asked why it is not read by me, and I have to explain that it is because if I read it I would just be doing my Martin Jarvis reading the William storiess impression, so better by far to have the real thing.)





Was your basement finished when you purchased your home or did you have it finished for your basement library? If you finished it yourself, how difficult was it? Also, I thought I saw a dehumidifier in one of the Photosynth pictures. Do you need one because of the books?

I'm asking because we have a full unfinished basement that we would like to have finished. We are running out of room for our books also. I don't think we don't have as many as you do though. :)

Any other suggestions for such a project would be greatly appreciated!

Thanks,
C.


No, when we got here the basement had a clay floor that puddled when it rained. We hired some nice builders and spent a lot of money finishing it, putting in drainage tiles, underfloor heating and all. There's a dehumidifier there in the summer and a humidifier in the winter, because after the first few years I noticed that binding glue and leather book covers were both cracking and flaking. There's now the equivalent of a large house in basement rooms beneath this house, filled with books and CDs and suchlike stuff.

And finally, a few photos from the China trip, taken by Ian Ford (or in one case, on his camera). Ian's a travel guide who now lives in China who helped organise my travels, and came along with me for part of the journey.

Amanda and I in the silk clothes that my publisher had given us as a thank you for coming, and because they are terrific.

Amanda, Ian Ford (in the pale top, also a gift from my publishers) and.. my publishers, SF World -- who will be publishing the mainland Chinese edition of The Graveyard Book very soon, and are very excited.




I'm holding the Galaxy Award for this year, given to the foreign author most popular with Chinese reader-voters. This was my second year of winning it, so I have retired from the competition and said that they have to find a new favourite foreign author now.
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[info]officialgaiman
Nov. 9th, 2009 @ 10:43 am grouping 1-9 elements in sudoku 3x3x3x3 array
200kb )
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[info]bntr, posting in [info]mathart
Nov. 8th, 2009 @ 08:17 pm Seeking Reference Material
Hi everyone,

I am seeking any reference material that eventually explains Hopf algebras. Really, I'd take anything that does a good job at explaining related topics starting with the definition of a module. I need something designed for a non-specialist.

Thanks in advance.
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[info]forvrkate, posting in [info]mathematics
Nov. 8th, 2009 @ 02:33 pm flip out and kill people
Before there were cocktails, the cool tipple for the American colonial to throw back was flip, of which I have spoken before. But I hadn't tried it myself, didn't know first-hand anybody who had, and could only dredge up a scant handful of brief modern testimonies online. Notwithstanding that these universally held flip to be the foulest beverage they had ever consumed (a view also quite widely held by contemporary visitors to the colonies), I felt that the frontiers of historical research deserved my personal attentions.

and to think they LAUGHED at me! LAUGHED! )
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[info]maga_dogg
Nov. 7th, 2009 @ 09:39 pm Manifolds question-zilla!
All right, so normally I wouldn't be posting like three questions at the same time, but I had swine flu this week (make sure you get the vaccine if you haven't already, because I promise you don't want the swine flu, it sucks) and couldn't go to class or meet with people. So with no further ado:

1) We're supposed to show that a simple Lie group is linear. In the hint sheet the professor gave us, he says, let C_g be the map that is conjugation by g, and let Ad(g) = T_1 C_g, the differential of this map. (I think this is called the adjoint representation or something.) I have no idea where this hint is going, and I don't see anything extra special about simple Lie groups that helps us buy this result, except perhaps that they are connected (because the identity component of a Lie group is a normal subgroup).

2) Next thing I'd like to show is that the differential of the inversion map (call it inv) is negative the identity. The hint sheet says to use the fact that exp is a homomorphism from lines through the origin in the Lie algebra to the Lie group. Certainly it's the case that exp(-v) = inv(exp(v)), and I think this is probably what we want, but I don't know how to get T_1 inv in there.

3) Last one for now I promise. Why would the differential of the determinant be trace?

Thanks for your help. I'm going to go hang my head in manifolds-induced shame now.
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[info]llyrfish, posting in [info]mathematics
Nov. 6th, 2009 @ 05:12 pm Anagrammed Movie Titles #38: The Men Who Stare At Goats
Current Mood: amused
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[info]gillen
Nov. 6th, 2009 @ 10:37 pm Final Reminder for Bookshops
posted by Neil
A quick reminder (as I was just asked) that today is the day that the bookshop Graveyard Book party reports have to be in to Harper Collins. By 9 pm PST.

http://files.harpercollins.com/Mktg/HarperChildrens/PDF/GraveyardContest_rules.pdf are the rules and info for those who lost them.

Hi Mr. Gaiman,

I was disappointed today to read you won't be part of the judging for The Graveyard Book contests. My not-wealthy, middle-of-nowhere bookstore just sent in its entry, and something we're concerned about is the fairness of judging.

For example, independent bookstores like Powell's (I'm sure you know) easily have enough money and are in a convenient enough location to ask you to come at one time or another. Against stores like that, who were able to put more money into their parties, we stand little chance.

I don't think that it's a lost cause for us; we were very creative. I'm just nervous to know you won't be judging. Can you tell me whether you think the judges will take things like size and location of bookstores into account? It would make me sleep a little easier until the results are announced.

Tusen takk,
Allison


Well, per the rules, the judging is based on:

(i) Overall creativity of the Party, as demonstrated by the invitations, signage, decorations, activities, entertainment, and refreshments.
(ii) Customer attendance and response (i.e., enthusiasm, costumes, participation).
(iii) Ability to capture and represent the spirit of The Graveyard Book.

...specifically to reward creativity, and not the ability to outspend other shops. (That was also why the party had to actually be at the bookshop, and not at another location.)

I asked my editor, Elise Howard, and she said,

Gosh, yes. Here's what we think is happening. We are looking at all the entries. On Monday, we'll send you the best 11, from which you will choose the Grand Prize Winner. The rest will get the first-prize package. So the short answer is that you ARE helping to choose.

The longer answer is that we will be very fair and will consider creativity, which includes work done with available resources, along with pure execution. (Don't you think? We haven't done anything yet; still waiting for more entries to come in.)


...which means that

a) I was wrong and will be the ultimate judge, from the shortlist. (Damn.)

and

b) everyone's on a level playing field.

Does that help reassure you?

PS -- Widgett's Graveyard Book Dessert competition winners have been announced over at http://www.needcoffee.com/2009/11/06/graveyard-book-dessert-challenge-winners/.

This one had NOTHING to do with me at all. But lor' the winning desserts look tasty...
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[info]officialgaiman
Nov. 6th, 2009 @ 02:51 pm math gre
I'm re-taking the Math GRE tomorrow morning (ugh), and I want to take a couple peppermints. Does anyone know if small things such as this are permitted? I can't seem to find an answer to this specific question...


Edit: Well, I definitely did better this time, that much is for sure. I still don't really understand why graduate schools care if I can do 3 hours worth of hero-level integration, though....
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[info]sans_galois, posting in [info]mathematics
Nov. 6th, 2009 @ 04:00 pm [comp09] GATOR-ON, Friend to Wetlands
Tags: , , ,
snip )
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[info]maga_dogg
Nov. 6th, 2009 @ 04:57 am Your Moment of Zen (or something)
Current Mood: amused
This is what you see if you frighten a mole
while walking across that portion of the back walkway
which is composed mostly of paving stones:
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[info]isquiesque
Nov. 6th, 2009 @ 05:09 am Note to self: Nights are for sleeping, Days are for Being Awake.
posted by Neil
Still trying to get back onto a diurnal schedule. (And, I should add, failing.)

Maddy and I started watching the new season of Sarah Jane Adventures tonight, which seems back on form after a dodgy second season.

Many amazing things waiting for me when I got home -- I still haven't gone through them all yet -- but today's mail brought me a copy of the Fantagraphics Gahan Wilson: 50 Years of Playboy Cartoons book. Three glorious volumes. I wrote the introduction to Volume 2, and thus got it for free. (If you're curious, there are many Gahan Wilson Playboy cartoons up at this website. There's a Gahan Wilson virtual museum over at http://www.gahanwilson.com

And, of course, although I posted it before, it bears repeating that you can watch the film that Steven-Charles Jaffe made of the "Dark and Silly Night" comic Gahan and I did for art spiegelman and Francoise Mouly's Little Lit at the New Yorker site, or here:



And if I'd been here for Hallowe'en I would have posted it here then. Which reminds me, The Graveyard Book party season is over. Over thirty independent bookshops had Graveyard Book parties (The ABA's Bookselling This Week reports on thirteen of the parties -- and the shops -- at http://news.bookweb.org/7149.html.) The very best one of all will get me in their shop doing a signing in December and, looking at these thirteen, I am very glad I am not any kind of a judge for the awards.

My only hope is that the shop that wins will be somewhere warm. But most of the places on the party map will be just as cold by December as my house. (Vague and only climate-based relief that HarperCollins said No to Alaska in the rules mingles with vague and selfish disappointment that they also said No to Hawaii.)

It looks like the CBS Sunday Morning profile on me is going out this Sunday, the 8th, 9:00-10:30 AM, ET. According to this website:

Correspondent Serena Altschul visits author Neil Gaiman -- the tender-hearted master of the macabre -- whose books, including Coraline and The Graveyard Book have topped best-seller lists for 25 years.

.. which left me wanting to go "I am NOT a tender-hearted master of the macabre, I am in fact VERY SCARY INDEED," but I suspect I would convince nobody.

Thrilled to see that Odd and the Frost Giants was listed as one of Amazon.com's Best Books of 2009. While I was in China The Graveyard Book was listed as one of the ALA's teens top ten for 2009 as well, an award voted on by over 11,000 teens. (And I made it onto the list with lots of other good people.)

Also, Fragile Things was awarded the French 2010 Les Grands Prix de l’Imaginaire Award for translated short fiction. My thanks to the judges, but mostly to the translator, who in this case is the incredibly talented Michel Pagel. If I ever look good, do well, sell books or am popular in a foreign country, it's because of the translators, and they never get enough thanks or acclaim. And I think I'll post the cover here, because I never have.



I am becoming hooked on http://curiousexpeditions.org.

I was extremely disappointed by the news on the current status of Argleton in Lancashier, especially so since I was hoping to buy a house there. I was going to move to Chako Paul City in Sweden instead, but appear to be the wrong gender and orientation. So probably I'll stay home.

(Hmm. You know, posting that French book-cover reminds me that there are some really beautiful new covers out there right now, especially from Poland and Russia. I know for I have signed them for people. I'll try and get some nice clean examples to put up here.)

And finally, a link to Joanne Leow's blog. It was lovely to see her again, four years on, when I went to Singapore - it was a great interview, and you can watch us chatting about writing, what I'm currently up to, signings, and why I don't write the same sorts of things twice in a row, at the Primetime Morning site: here's part 1 and part 2.

...

Dear Mr. Gaiman,
I was wondering if you would be so kind as to mention an upcoming art auction on your blog. The art auction is “art for hearts”. It is an auction of artwork donated by children’s illustrators such as Korky Paul, Lynne Chapman and An Vrombaut. Most of the artwork is original although there are also some signed digital prints and screen prints too.
All proceeds from the auction will be donated to help fund research by the transplant team at Great Ormond Street Hospital. Transplanted organs do not have the same life expectancy as non-transplanted organs and the transplant team is looking at finding ways to combat this.
Full details of the auction are available to view at
http://art-for-hearts.blogspot.com

It will run on Ebay for a week starting on the 2nd of November. To locate the items people will need to type "art for heart" into the search area and choose "Art" or "books" for items.

Many thanks,

Kristine Stacey


You're welcome. I think this link has everything for sale in the auction: http://shop.ebay.co.uk/scrawldog/m.html?_nkw=&_armrs=1&_from=&_ipg=&_trksid=p3686
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[info]officialgaiman
Nov. 5th, 2009 @ 02:39 pm Calendar Fun...

Maybe I'm just a sucky parent, but the days that Isaac has off of school always come as a complete surprise to me. He started telling me yesterday that [info]eyelid and I were going to be going with him to his school a week from tomorrow. Trying to figure out what he was talking about, I consulted the school's online calendar. In doing so, I accidentally discovered that there is no school tomorrow.

So as to be ready next time, I have subscribed to the ICS publication of their calendar. When I did so, I discovered that the entry that says there is no class tomorrow says there is no class from 4:20pm through til 4:20pm on Monday. I thought this suspect since it would be much clearer to say no school from 7:30am to 4:20pm Friday and say it again on Monday. I called the school to verify. There is no school tomorrow (or Saturday or Sunday), but there is school on Monday.

Whee! So much for my master plan of staying informed.

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[info]patrickwonders
Nov. 5th, 2009 @ 08:05 pm beginning of Luke, and a major digression
a great big waffle on sacrifice, ritual purity and blame )
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[info]maga_dogg
Nov. 5th, 2009 @ 07:45 pm Mark 15-16
crucifixion redux, addendum )
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[info]maga_dogg
Nov. 5th, 2009 @ 06:23 pm innternationalist
I am sipping on my second mediocre craft beer of the evening, a Wood's Shropshire Lass (the previous one was a Salopian Brewery Darwin's Origin).

Mediocre craft beers are different in the UK. In the US, craft beers tend towards excess and novelty; massive overhopping, wacky ingredients, a tendency towards excessive sugar. British beers work with a smaller palette, rarely straying away from bitter, mild and the occasional porter or stout. This is probably because a) America is a melting-pot and can therefore choose more freely between different brewing traditions, and b) American craft brewing was murdered by Prohibition, so its current renaissance doesn't have to deal with a continuous tradition.

The best North American beers I've had have been one-offs, wild outliers: Alaskan Smoked Porter, Midnight Sun Panty Peeler, Unibroue Fin de Monde, Rogue Brutal Bitter. The best British beers I've had have been paradigms of a type - Theakston's Old Peculier, Three Tuns Cleric's Cure, Big Nev's Marathon. When American beers fail, it's because they're wacky but stupid; when British beers fail it's because they're dull.

[edit: this possibly says as much about my own expectations as it does about the beer; when American beer is merely boring, rather than cat's-water awful, I don't register it as a failure. Thus Alaskan Amber, etc. I have no idea how I'd have received Brutal Bitter if I'd drunk it in the UK, or Shropshire Lass had I encountered it in Juneau.]
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[info]maga_dogg
Nov. 5th, 2009 @ 08:34 am Upgrade your career

Do you like your job?

Do you enjoy the people you work with?

Would you want to have lunch with them? Every day? Alex Papadimoulis thinks that Fog
Tyler Griffin Hicks-Wright
Creek’s free lunches are “cultish,” but everyone at Fog Creek loves them. Maybe it’s the mandatory brain implant we install in each new worker, but I like to think that we just enjoy eating together because we genuinely like each other and like spending time together. If you can’t imagine eating lunch every day with your coworkers, I hate to break it to you: you might not like them. Is it OK to spend most of your waking hours with people you don’t like?

Do you actually enjoy doing your job? If you wake up an hour early in the morning, do you think, “Yay! I can go in early and get another hour of work in!” Or does that sound ridiculous to you?

Are you learning? When was the last time you had to learn a new skill? Is this year kind of like last year, or are you doing something new, stretching yourself, challenging yourself to be better?

At one of the recent DevDays events, I asked the audience (almost 100% programmers) how many of them were incredibly satisfied with their job, found it fulfilling, and were treated well by their employers. Only about 25% of the hands went up. I asked how many people either hated their job and couldn’t wait to find something better, or were actually actively on the job market. Again, about 25%. The rest were somewhere in the middle: maybe they can tolerate their job, but they’re keeping an eye open for something better.

Who is this DevDays audience? They’re the elite of the elite of the best programmers out there. They’re the people who participate in Stack Overflow, the people who read, the people who are constantly trying to learn more about programming and software development. More than half of them paid their own money to attend a one day conference. They’re the most desirable software developers on the planet. And 75% of them are not delighted with their job.

That’s unacceptable. I’ve been saying for ten years that the top developers have a choice of where to work, and the top employers need to work harder to attract them, because the top developers get ten times as much work done as the average developers.

And yet, I still keep meeting ridiculously productive developers working in shitholes.

We’re going to fix this, right now. Thus, Stack Overflow Careers.

We’re going to completely turn the job market upside down, for the best software developers and the best companies.

This is a talent market. Developers are not even remotely interchangeable. Therefore, recruiting should work like Hollywood, not like union hiring halls of the last century.

In a union hiring hall, downtrodden workers line up like cogs, hoping to make it to the front of the line in time to get a few bucks for dinner.

In Hollywood, studios who need talent browse through portfolios, find two or three possible candidates, and make them great offers. And then they all try to outdo each other providing plush work environments and great benefits.

Here’s how Stack Overflow Careers will work. Instead of job seekers browsing through job listings, the employers will browse through the CVs of experienced developers.

Instead of deciding you hate your job and going out to find a better one, you’ll just keep your CV on file at Stack Overflow and you’ll get contacted by employers.

Instead of submitting a resume, you’ll fill out a CV, which links back to your Stack Overflow account, so that you can demonstrate your reputation in the community and show us all how smart you really are. To a hiring manager, the fact that you took the time to help a fellow programmer with a detailed answer in some obscure corner of programming knowledge, and demonstrated mastery, is a lot more relevant than the Latin Club you joined in school.

Employers can see how good you are at communicating, how well you explain things, how well you understand the tools that you’re using, and generally, if you’re a great developer or not. And they can see your peer reputation, so all that hard work you’ve been putting into helping people on Stack Overflow can karmically come back and help you upgrade your job to the latest, state-of-the-art, great place to work.

Stack Overflow has grown incredibly fast. After a year in business, it gets over a million page views most weekdays and currently stands as the 817th largest site on the Internet, according to Quantcast. It reaches 5.2 million people a month. But Stack Overflow Careers doesn’t have to be massive. It’s not for the 5.2 million people who visit Stack Overflow; it’s for the top 25,000 developers who participate actively. It’s not for every employer; it’s for the few that treat developers well and offer a place to work that’s genuinely fulfilling.

Read the FAQ, then go file your CV now, and upgrade your career.

Need to hire a really great programmer? Want a job that doesn't drive you crazy? Visit the Joel on Software Job Board: Great software jobs, great people.

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[info]joelonsoftware
Nov. 5th, 2009 @ 04:17 am The Author Comes Home, and displays many photographs of his travels
posted by Neil
I went to XinjiangProvince in Western China to continue researching my Monkey/China book. This is the photo I took of a scenic building that, I discovered when the men came out to arrest us, turned out to be a police station. If you're in Kashgar do not take pictures of this building. Trust me on this.


This is what I was researching and working on. (As seen in a little town square, on the way to Yarkand):


Xinjiang Province is going to be hard to write about. It's like walking into the Arabian Nights in some ways, and like going back in time in others. It was especially like going back in time on this trip, as, following the Uighur riots in Urumqi in July, the Chinese Government turned off the Internet, text messaging and all international phone calls in or out of the region. I had a great guide who was terrified I'd talk politics, and I rapidly discovered that everything except conversations about the spice-sellers in the market...

... or discussion of the pomegranate crop, counted as politics. It made my journey even stranger than it might have been already.

While I was there my camera started misbehaving: I hadn't even realised it had a motor in it, but the motor started vibrating gently, producing some very beautiful shots that weren't really what I wanted...
Like this shot of a lady in Yarkand market selling peppers and tomatoes that seem to have turned into jewels.

After a great deal of reflection I decided not to buy a camel in the market in Kashgar. Here are two camels I didn't buy.

In the Russian market in Urumqi I bought a new camera I don't like anywhere nearly as much as my old, sporadically-vibrating one.

I went from there to Jinan, Wuqiao and Beijing.

This photo, taken in Beijing was one of the highlights of my trip -- and was one the main reasons I went back to China. I wanted to talk to Liu Xiao Ling Tong (the stage name for Mr Zhang Jinlai), who played Monkey in the Chinese television version of Journey to the West. (Here's his blog.)

Then I went to Chengdu. I don't have photos on my camera of the Galaxy Award ceremony, or the speech I gave at Sechuan University, or the visit to the Earthquake Zone and the talk I gave to the kids there. (Science Fiction World and I are starting a library for them.) (If I can get some photos I'll put them up.)

And I was not able to take photos of the encounter with the fourth holiest Buddhist in China, because he is not to be photographed.

So instead here's a photo of Amanda Palmer, who joined me for my last few days in China, on the side of a mountain having been recognised by some happy Chinese tourists...


More photos of China and Singapore in my next post, I hope. In summary: Singapore was wonderful, but the visit was much much too short: we were there for about 50 hours altogether. Once again, the food was amazing and the people delightful.

...

Let's see. A quick handful of links...

A theatrical production of Neverwhere in Chicago next year is producing a fascinating visit-to-London blog over at http://neverwhat.blogspot.com/.

I'll be at the Arts Festival in New Zealand in March. Here's the Town Hall event - http://www.nzfestival.nzpost.co.nz/writers-and-readers/town-hall-talk-neil-gaiman, and it looks like I'll be doing some other events while there. It may sell out fast, so if you're interested, get tickets early. (And do not miss Margo Lanagan, who will also be there, for she is an Incredibly Good Thing.)
....

Through most of this summer I was playing with a Lomography Camera. The kind with film in, where you have no idea what you took until it's developed. (The one I used was an LC-A+.) I'm starting to love the results, especially when everything comes in slightly oversaturated. They look like pictures of dreams.



(Middle photo of the amazing bubble by Miss Holly Gaiman. Who is fundraising.)

(And you can, of course, click to embiggen the pictures.)
...

And finally, people sometimes write in and point out that, when I return home, I post pictures of my dog, rapturously dashing somewhere or dancing or stick-wielding to welcome me home. "Why do you not ever post pictures of cats?" they ask.

Good point. Here is Coconut welcoming me rapturously home:



Here is Princess, doing her version of a rapturous welcome, glad that I have not forgotten the trick that she taught me to do, during my time away. The trick involves turning on the tap in the guest bathroom and letting her alternately drink and attack the water with her sharp teeth, until she gets bored:

I'm sad to say that while I was away, Hermione died. She was the surviving member of the two mad cat sisters who live in the basement library and Do Not Mingle, and she was almost eighteen. You can see her in this Photosynth of my library downstairs (needs Silverlight). It feels strangely unbalanced to be in a house without Pod and Hermione in it.

There. Goodnight.
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Nov. 3rd, 2009 @ 07:50 pm Does Slow Growth Equal Slow Death?

My new Inc. column is up. “For a guy who wrote a book on how to hire great programmers, it’s mortifying how incompetent I’ve been at enlarging the sales team, which, right now, consists of one terrific account executive and a dog. (I’m just kidding. There’s no dog.)”

Need to hire a really great programmer? Want a job that doesn't drive you crazy? Visit the Joel on Software Job Board: Great software jobs, great people.

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[info]joelonsoftware